BACHELOR
My life today is no different.
A flush of autumn, a whip of flame
against a green spray of tree,
hot and red, tells that story.
That my life has always been my own
can be seen in the way that plastic bag
clutches tattered to a chained fence,
makes a sharp panicked flap
as the wind bears down on it.
I walk alone, now, when an
October chill engulfs me and lifts
my body out of the subway steps,
bracing the exposed skin around
my wrists, my neck; my face is hot.
When I sit at a desk, in front of
a soft computer screen, cramming
time and money into my head-
ingredients I sift through, and mix,
and knead–I do it with a sureness
that is only told by the bodies of
those who have nowhere to be later,
accountable to no one; will it be a drink?
solo or with friends? or will it be to the gym?
and then home to eat? to watch? to rest?
So it is not you, when my stomach
grips a knot of agate, and my shoulders
clench like iron rods across my back,
and when my face hangs stoic, in thought,
as I sit on the train waiting for my stop,
and I take these steps not knowing
where they lead or why they are:
It is not you–
you boy, you man–
when you extend a finger and press
gently into that deepest bruise, and
around the flat-headed tip swells
a pool of dark fluid, like blood–
it isn’t you who causes that wound
to yield its store of pain to the night.
It is no one else. It is darkness.
I regret, it is all me.
The cold damp air will tell you that,
as it stiffens the sheets on my bed
and makes sleeping and waking
unbearable chores that will still be done.
The coffee I make in the morning
says as much, when I pour the warm
drink into a single mug and carry it
past my sleeping roommate’s bed
across cracking floorboards.
And my jacket will always make it clear,
when I pull it closed around my chest,
cell phone pressing my heart from the
inside pocket, plodding up some street:
That young man lives alone.
A flush of autumn, a whip of flame
against a green spray of tree,
hot and red, tells that story.
That my life has always been my own
can be seen in the way that plastic bag
clutches tattered to a chained fence,
makes a sharp panicked flap
as the wind bears down on it.
I walk alone, now, when an
October chill engulfs me and lifts
my body out of the subway steps,
bracing the exposed skin around
my wrists, my neck; my face is hot.
When I sit at a desk, in front of
a soft computer screen, cramming
time and money into my head-
ingredients I sift through, and mix,
and knead–I do it with a sureness
that is only told by the bodies of
those who have nowhere to be later,
accountable to no one; will it be a drink?
solo or with friends? or will it be to the gym?
and then home to eat? to watch? to rest?
So it is not you, when my stomach
grips a knot of agate, and my shoulders
clench like iron rods across my back,
and when my face hangs stoic, in thought,
as I sit on the train waiting for my stop,
and I take these steps not knowing
where they lead or why they are:
It is not you–
you boy, you man–
when you extend a finger and press
gently into that deepest bruise, and
around the flat-headed tip swells
a pool of dark fluid, like blood–
it isn’t you who causes that wound
to yield its store of pain to the night.
It is no one else. It is darkness.
I regret, it is all me.
The cold damp air will tell you that,
as it stiffens the sheets on my bed
and makes sleeping and waking
unbearable chores that will still be done.
The coffee I make in the morning
says as much, when I pour the warm
drink into a single mug and carry it
past my sleeping roommate’s bed
across cracking floorboards.
And my jacket will always make it clear,
when I pull it closed around my chest,
cell phone pressing my heart from the
inside pocket, plodding up some street:
That young man lives alone.




